Saute

Who better to provide a cioppino recipe than Jesse Llapitan, the executive chef of San Francisco’s Palace Hotel, the city’s grande dame? Every San Franciscan puts his or her own stamp on this rustic fisherman’s stew, but the Dungeness crab is nonnegotiable. Chef Llapitan attended the 2005 Workshop.

This ten-minute recipe is California chef Ken Frank’s riff on the French classic, sole Véronique. Chef Frank substitutes a Northern California delicacy—bone-in sand dabs—and the tiny and tasty dark grapes known as Zante currants. The fish are lightly floured and sautéed, then sauced with warmed grapes, melted butter, parsley, and lemon. You can use the same preparation on any delicate fish, such as petrale or Dover sole.

Also known as sablefish, black cod thrives in the cold waters off the Pacific Coast, from California to Alaska. The fishery is managed sustainably, so many chefs have turned to black cod as a replacement for the more threatened Chilean sea bass. If you have ever had smoked sablefish in a New York delicatessen, you have eaten black cod. It is an oily fish, rich in heart-healthy omega-3 fatty acids. Chef Bruce Hill, who attended the 1998 Workshop, makes it the centerpiece of this inspired East-West seafood stew, which relies on fregola—a toasty, couscous-like Sardinian pasta—for texture and Japanese miso for flavor depth. Dashi is Japanese stock.

Seasoned with chorizo, dried oregano, and cilantro, this deconstructed fish stew tastes like the specialty of some upscale restaurant in Mexico City. But it came to Cakebread Cellars from one of Denver’s foremost chefs, Kevin Taylor, a 1997 Workshop participant. For a dinner party, you can make the tomato broth a couple of hours ahead, stopping after you add the cooked chorizo and potatoes. Then all you need to do at dinner time is steam the fish on this flavorful base. You could add some clams or shrimp to the pot as well.

One of the benefits of working with so many chefs at the Workshop is that the experience sometimes takes us out of our comfort zone. We tend to shy away from spicy foods at the winery, but with this dish, Honolulu chef Alan Wong, who participated in the 1990 Workshop, reminded us that we don’t need to be so cautious. Our wine can happily accompany a dish with Thai flavors if the heat is balanced with a touch of sweetness and citrus and mellowed with coconut milk. We were pleased—and admittedly surprised—at how seamlessly our Anderson Valley Pinot Noir married with Alan’s red-curry sturgeon. Accompany the fish with stir-fried bok choy or spinach and steamed rice to soak up the luscious sauce.

From chef Greg Higgins, a 2000 Workshop participant, comes this idea of pairing salmon with cucumbers, saffron, tarragon, and a creamy white-wine reduction. No surprise that a chef from the Pacific Northwest would know what flavors are sublime with salmon.

Chef George Brown created this height-of-summer dish at the 2006 Workshop. He prepared the scallops in our wood-burning oven, but searing them in a hot skillet works as well. The creamed corn is thickened only by the corn’s natural starch, released when the kernels are grated. The chef’s idea of adding Chardonnay is a good one, as it helps to balance the corn’s sweetness.

When he attended the 1997 Workshop, Florida chef Pascal Oudin coated California salmon with a pecan crust, seared it, and paired it with a carrot emulsion. Brian has adapted the recipe to catfish, to give the dish some Floridian style, and replaced the crust with a toasted pecan garnish to make less work for home cooks. Serve with sautéed spinach or other wilted greens. On another occasion, prepare the silky carrot emulsion for grilled halibut or sea bass.

In the minds of many West Coast chefs, the Dungeness crab is the ocean’s finest crustacean. Canadian chef Ned Bell, who attended the 2004 Workshop, showcases the sweet meat in this pasta sauce, which gets some of its creamy body from pureed cauliflower. The dish is rich and worthy of the spotlight, so balance it with a simple butter lettuce salad in a tangy vinaigrette.

Brian teaches a paella class at the winery occasionally to help take the fear out of preparing rice the Spanish way. It’s a great dish for parties because guests love watching paella come together, the flavors and fragrance building as ingredients are added. Brian cooks his paella by the traditional method, outdoors over a hardwood fire. Gauging the heat of the fire is the only challenge; if it is too hot, the rice will scorch. Be sure to let the coals burn down until they are well covered with white ash before starting. And if you still lack confidence after trying this recipe, sign up for the class. Paella tastes best warm, not hot, so allow for some cooling time.

When our wine-club members receive their wine shipment, we include a recipe that we enjoy with the featured bottle. Cakebread resident chef Tom Sixsmith devised this pasta preparation to accompany the Chardonnay Reserve, but you may find that you want to make the dish weekly in asparagus season. The nutty whole-wheat pasta and smoky bacon help combat the notion that asparagus doesn’t go with wine.

When Jody Denton participated in the 2006 Workshop, he made delicate ricotta gnocchi in a sauce similar to the one outlined here. Chef Denton used wild boar sausage from Broken Arrow Ranch (see page 144), our longtime game supplier, but Italian pork sausage is a more readily available substitute. It takes practice to master gnocchi, but Chef Denton’s delicious sauce is just as appealing with rigatoni.

From late spring to early summer, when our winery garden is producing tender peas, Brian makes a delicate pasta sauce with them. It’s not worth making the pesto with starchy peas, so wait for that perfect cusp-of-summer moment. Serve this pasta as a first course, followed by Slow-Roasted King Salmon with Garden Herbs (page 110) or spring lamb chops. On another occasion, spread the pea pesto on crostini for an hors d’oeuvre.

On the first morning of the Workshop, participants rise early to pick grapes before the temperature soars. These chefs may labor in hot kitchens every day, but on grape-harvest day, they learn what real work is like. By midday, they are famished. We keep lunch casual, knowing that a big dinner will follow. Typically, we serve Mexican food, like these soft tacos, with from-scratch tortillas prepared outdoors on a comal (Mexican griddle) by winery staffers Brenda Godinez and Virginia Barrera. Rubaiyat, a blend of red varieties, is perfect for the occasion. Note that the beans need to soak overnight.

By adding a puff pastry top, Chef Albert Bouchard transforms an easy autumn vegetable soup into a first course suitable for company. The puff pastry seals in all the aromas until diners breach the flaky caps with their spoons. Note that you will need individual ovenproof soup crocks, similar to the type used for French onion soup. The diameter on top should be no more than 5 inches to have the proper ratio of soup to pastry. Chef Bouchard attended the 2006 Workshop.

Hubert Keller, chef-owner of San Francisco’s Fleur de Lys, patterned this recipe after the traditional Provençal soupe doux (sweet garlic soup), a specialty of the peasant kitchen. But as you might expect from a chef for one of the city’s most elegant restaurants, Chef Keller has refined the procedure, blanching the garlic to temper some of its bite and adding saffron for a richer color. A poached egg set on a crouton in the center of the soup really dresses up the dish. Chef Keller participated in the 1991 Workshop.

Chef Nancy Oakes used fresh duck livers from Sonoma County Poultry when she made these elegant crostini during the 1997 Workshop, but chicken livers work, too. She hand-chopped the warm sautéed livers with butter and a lot of sweet sautéed onion, plus just enough earthy truffle oil to make them worthy of a black-tie occasion.

Canadian chef Rob Feenie made this savory tart during the 2002 Workshop. Unlike quiche with its custard filling, the classic tarte flambée topping includes no egg—just fromage blanc thinned with crème fraîche, sweet sautéed onions, and smoky bacon. The name (“flaming tart”) derives from earlier times, when cooks would bake it near the embers of a wood-fired oven.